From the first frames, the improvements in detail clarity are immediately obvious. While earning a strong Blu-ray release in 2012, that disc simply doesn’t hold up to Criterion’s exceptional 2160p 185:1 Dolby Vision presentation. Also included is a 38-page booklet featuring essays, Ossie Davis’ eulogy, and tech restoration information for the film. All three discs are housed in a digipak case. ![]() With Spine Number 1160, the film gets a Region Free BD-100 disc for the 4K, a Region A BD-50 disc for the 1080p presentation, and a second Region A BD-50 disc for bonus features. Malcolm X returns to disc for a new three-disc 4K Ultra HD Blu-ray release from the Criterion Collection. Vital Disc Stats: The 4K Ultra HD Blu-ray From Spike Lee’s direction and writing to Earnest Dickerson’s cinematography to the impecable production design work to Washington’s commanding performance - this is a film that deserved far more accolades than it was given during its original run.įor another take on Malcolm X - Read our 2012 Blu-ray Review I love Al Pacino, but getting the Best Actor Oscar for starring wide-eyed into the middle distance while yelling every line isn’t his finest award-worthy moment. But Malcolm X was better than many of these and deserved far more recognition. ![]() Unforgiven, A Few Good Men, Scent of a Woman, and The Crying Game are all classics in their own right. Granted 1992 was a stacked year for amazing films. It’s a genuine character arc with Washington fully embodying Malcolm instead of just reenacting greatest hits clips like so many other biopics that let their leads skate by with cop-out performances. It starts early with his life as a criminal, his incarseration and conversion, and rise within the civil rights movement including his controversial take on the assassination of President Kennedy. As a biopic, it doesn’t gloss over the life of Malcolm X. Not only is this easily Spike Lee’s best film as a writer and director, but it also features Denzel Washington delivering one of his fiercest, most passionate performances of his entire career. Then you get Spike Lee’s Malcolm X, a movie so good it was virtually shut out come awards season with only two Oscar nominations - Best Actor and Best Costume Design - and lost on both counts. I also dislike their tendencies to be over-rewarded Oscar bait with the lead actor or actress taking home glistening golden statues for movies that are generally bad. ![]() I often find them trite exercises that fail to capture the true personality of the subject while glossing over the worst pieces (and usually the most interesting) of their personality to make them the undeniable “hero” of the story. Once released, he is no longer Malcolm Little, he becomes Malcolm X and quickly rises in the ranks of the Nation of Islam as an outspoken and polarizing leader in the civil rights movement at a time when the country is undergoing dramatic and violent change.Īs a general rule, I don’t enjoy biopics. While incarcerated, he meets Baines (Albert Hall) who introduces the troubled young man to the teachings of Islam and Elijah Muhammad (Al Freeman Jr.). A small-time thief and drug addict, Malcolm is hit with a stiff jail sentence. Whatever he made, he blew away as fast as it hit his pocket. Malcolm Little (Denzel Washington) was just a hustler scamming his way from one payday to the next.
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